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Table of ContentsJob Winning Resumes

Update October 15, 1997
Casey Banks, a 13-year-old dancer from Sydney, Australia, writes:

"I was really interested in the information about resumes, but the example (below) you gave was way too advanced compared to my experience (in professional performances). Could you give me some ideas of how I could set up my resume. I have lots of training, and compete constantly in competitions."

Good point, Casey! At your stage of the game, list your training first if that's what's most impressive, or start with the competitions if you've placed. Young dancers can certainly also list school performances, particularly local Nutcrackers or any community service performances in parks, schools or homes for the elderly. Recitals are less interesting unless you were featured in some way. If so, I'd list the piece, the choreographer and the studio without mentioning the word "recital." (For example: The Girl in Green . . "Rainbow Rondo". . .Jane Doe, choreo, Doe Studio of Dance.) Don't worry. No one expects you to be a professional at 13! But do use the format I showed for the older dancer -- the three columns with abbreviations to make it all fit.

PHOTOS
Invest in top quality headshots and get them made up as 8" x 10" glossies with your name imprinted. Type your resume on one page, and trim the 8 1/2" x 11" paper to fit the headshot. Staple the resume to the back of the photo.

Dancers sometimes get full body shots and carry them as well as head shots. Also, versatile people often prepare several resumes (Dancer who sings, Dancer who acts, Jazz/tap/ballet dancer, etc.) and whip out whichever one fits the audition at hand.


RESUMES
There are very specific formats for performing artist/dancer resumes. Usually, you list your education and experience in a three-column format with acceptable abbreviations such as "dir." for "director." Here's an example:

TRISH DANCER
(212) 555-1212
SS# 123-45-6789
  Ht: 5'8"
Wt: 125 lbs.
Hair: Red
Eyes: Green
PERFORMING EXPERIENCE    
  DANCE THEATRE WORKSHOP
CAROL RIOUX DANCE ENSEMBLE
ADELPHI DANCE THEATRE
HUNTINGTON BALLET THEATRE
CONCERTO
NEW YORK DANCE THEATRE
Summer Dances
rep pieces
Principal roles
Principal roles
Principal role
Principal roles
Carol Blanco, choreo.
Carol Rioux, dir.
Norman Walker, dir.
Goetz & Forsyth,choreo/dir.
Lois Bewley, choreo.
Frank Ohman, choreo/dir.

CHOREOGRAPHY
   
  15 BALLETS Solos, group pieces Broadway Dance Center; Carol Rioux Ensemble; Adelphi University; Huntington Ballet Theatre
TEACHING    
ADELPHI UNIVERSITY
STEPS DANCE SCHOOL
HUNTINGTON SCHOOL OF BALLET

OHMAN SCHOOL OF BALLET
Ballet
Ballet/Pointe
Ballet/Modern/
Choreography/Anatomy
Ballet
Norman Walker, dir.
Vicky Docimo, dir.
Goetz & Forsyth, dir.
Frank Ohman, dir.

AWARDS
   
BALLET AWARD OF MERIT
AMERICAN DANCE GUILD
1987 winner
1988 scholarship
Saraband Competition, LI
Joffrey Ballet School

TRAINING -- BFA/DANCE
,
Adelphi Univeristy, cum laude
   
Ballet Rochelle Zide-Booth, Trinette Singleton, Margot Fonteyn, Frank Ohman, Jan Hanniford Goetz; New York Summer School of the Arts at Saratoga Springs, Heather Watts and Peter Martins
Modern Norman Walker, David Parsons, Betty Jones, Annabelle Gamson, Paul Taylor School, Limon Institute, Ruth Currier
Composition Norman Walker, Karen Levy
Character Olga Kostritsky
Chinese Chen and Dancers
     
SPECIAL SKILLS - Fluent Spanish; travel throughout Europe; experienced salesperson, specializing in jewelry; writing, editing and proofreading for Anton Community Newspapers and The Wall Street Transcript; knowledge of Labanotation, kinesiology, costume design; dance history, theatre history, art history, music history, technical theatre, rhythmic analysis

For complete information about resumes, order a copy of the revised and enlarged third edition of "The BACK STAGE Handbook for Performing Artists: The How-to and Who-to Contact Reference for Actors, Singers, and Dancers," compiled and edited by Shirley Eaker.

Send your name, address and a check or money order, or a credit card number with expiration date (Visa, MasterCard or American Express) to:

BACK STAGE HANDBOOK, Attn: BPI Book Store, 1515 Broadway, New York, New York 10036

The cost is $18.95 per copy. Shipping and handling is another $5.00. Residents of NY, NJ, CA, TN, MA, VA, IL, PA and Washington DC, add approproate sales tax.

I know this book is expensive, but it's worth every penny. People here call it the "Show Business Bible." You really can't afford to be without it. (Why not ask somebody to give it to you for an early holiday present?)

Another important note: The September 26th issue of BACK STAGE will have a special supplement on photographers and resume services. Don't miss it! Call (212) 536-1455 to order single and back issues of the paper. If you get the answering machine, the message will say you've reached "The Company Book Store." You can also write the address on this postcard.

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