Job Winning ResumesUpdate October 15, 1997
Casey Banks, a 13-year-old dancer from Sydney,
Australia, writes:
"I was really interested in the information about
resumes, but the example (below) you gave was way too advanced compared to my experience
(in professional performances). Could you give me some ideas of how I could set up my
resume. I have lots of training, and compete constantly in competitions."
Good point, Casey! At your stage of the game, list your
training first if that's what's most impressive, or start with the competitions if you've
placed. Young dancers can certainly also list school performances, particularly local
Nutcrackers or any community service performances in parks, schools or homes for the
elderly. Recitals are less interesting unless you were featured in some way. If so, I'd
list the piece, the choreographer and the studio without mentioning the word
"recital." (For example: The Girl in Green . . "Rainbow Rondo". .
.Jane Doe, choreo, Doe Studio of Dance.) Don't worry. No one expects you to be a
professional at 13! But do use the format I showed for the older dancer -- the three
columns with abbreviations to make it all fit.
PHOTOS
Invest in top quality headshots and get them made up as 8" x 10" glossies with
your name imprinted. Type your resume on one page, and trim the 8 1/2" x 11"
paper to fit the headshot. Staple the resume to the back of the photo.
Dancers sometimes get full body shots and carry them as well
as head shots. Also, versatile people often prepare several resumes (Dancer who sings,
Dancer who acts, Jazz/tap/ballet dancer, etc.) and whip out whichever one fits the
audition at hand.
RESUMES
There are very specific formats for performing
artist/dancer resumes. Usually, you list your education and experience in a three-column
format with acceptable abbreviations such as "dir." for "director."
Here's an example:
| TRISH DANCER |
(212)
555-1212
SS# 123-45-6789 |
|
Ht: 5'8"
Wt: 125 lbs.
Hair: Red
Eyes: Green |
| PERFORMING
EXPERIENCE |
|
|
| |
DANCE THEATRE WORKSHOP
CAROL RIOUX DANCE ENSEMBLE
ADELPHI DANCE THEATRE
HUNTINGTON BALLET THEATRE
CONCERTO
NEW YORK DANCE THEATRE |
Summer Dances
rep pieces
Principal roles
Principal roles
Principal role
Principal roles |
Carol Blanco, choreo.
Carol Rioux, dir.
Norman Walker, dir.
Goetz & Forsyth,choreo/dir.
Lois Bewley, choreo.
Frank Ohman, choreo/dir. |
CHOREOGRAPHY |
|
|
| |
15 BALLETS |
Solos, group pieces |
Broadway Dance Center;
Carol Rioux Ensemble; Adelphi University; Huntington Ballet Theatre |
| TEACHING |
|
|
ADELPHI
UNIVERSITY
STEPS DANCE SCHOOL
HUNTINGTON SCHOOL OF BALLET
OHMAN SCHOOL OF BALLET |
Ballet
Ballet/Pointe
Ballet/Modern/
Choreography/Anatomy
Ballet |
Norman Walker, dir.
Vicky Docimo, dir.
Goetz & Forsyth, dir.
Frank Ohman, dir. |
AWARDS |
|
|
BALLET
AWARD OF MERIT
AMERICAN DANCE GUILD |
1987 winner
1988 scholarship |
Saraband Competition,
LI
Joffrey Ballet School |
TRAINING -- BFA/DANCE,
Adelphi Univeristy, cum laude |
|
|
| Ballet
|
Rochelle
Zide-Booth, Trinette Singleton, Margot Fonteyn, Frank Ohman, Jan Hanniford Goetz; New York
Summer School of the Arts at Saratoga Springs, Heather Watts and Peter Martins |
| Modern
|
Norman
Walker, David Parsons, Betty Jones, Annabelle Gamson, Paul Taylor School, Limon Institute,
Ruth Currier |
| Composition |
Norman
Walker, Karen Levy |
| Character |
Olga
Kostritsky |
| Chinese |
Chen and
Dancers |
| |
|
|
| SPECIAL
SKILLS - Fluent Spanish; travel throughout Europe; experienced salesperson,
specializing in jewelry; writing, editing and proofreading for Anton Community Newspapers
and The Wall Street Transcript; knowledge of Labanotation, kinesiology, costume design;
dance history, theatre history, art history, music history, technical theatre, rhythmic
analysis |
|
|
For complete information about resumes, order
a copy of the revised and enlarged third edition of "The BACK STAGE Handbook for
Performing Artists: The How-to and Who-to Contact Reference for Actors, Singers, and
Dancers," compiled and edited by Shirley Eaker.
Send your name, address and a check or money order, or a
credit card number with expiration date (Visa, MasterCard or American Express) to:
BACK STAGE HANDBOOK, Attn: BPI Book Store, 1515 Broadway,
New York, New York 10036
The cost is $18.95 per copy. Shipping and handling is
another $5.00. Residents of NY, NJ, CA, TN, MA, VA, IL, PA and Washington DC, add
approproate sales tax.
I know this book is expensive, but it's worth every penny.
People here call it the "Show Business Bible." You really can't afford to be
without it. (Why not ask somebody to give it to you for an early holiday present?)
Another important note: The September 26th issue of BACK
STAGE will have a special supplement on photographers and resume services. Don't miss it!
Call (212) 536-1455 to order single and back issues of the paper. If you get the answering
machine, the message will say you've reached "The Company Book Store." You can
also write the address on this postcard. |